Space filling curves are curves that given a space will go through every point in that space. You have probably drawn many space filling curves before. The Hilbert curve is a pretty fun recursive u-shaped curve. One neat aspect of the Hilbert curve is that it can exist in multiple dimensions and it is easy to calculate how far along you are. So I take a 2D Hilbert curve and map it to a single value then I remap that value onto an N-dimensional hilbert curve. That value is communicated to supercollider who feeds it into a synthesizer effectively letting me explore synth space through a simple 2D input. Here’s a video of mucking around on a Hilbert curve https://www.youtube.com/watch?v=FM_Ne4YWx04&feature=youtu.be
POINT OF DEPARTURE is a live music series dedicated to providing a space for all forms of improvised, spontaneous, and experimental music. Edmonton\u2019s experimental music scene is multi-faceted yet fractured; part of this series\u2019 mandate will be to bring together artists from different backgrounds and genres to facilitate new connections and collaborations, and to allow the scene to grow and expand in new directions.
Vol. 5 will feature:
SYLVIA HINZ (Germany)
Sylvia Hinz is in town as part of New Music Edmonton’s Now Hear This festival, and we are thrilled to have her take the Point of Departure stage.
Praised for her equally fierce and bold dramatic performance style, Sylvia Hinz is one of the leading recorder players worldwide, specialised in contemporary music and improvisation. Hinz plays solo recitals and concerts with ensembles and orchestras, holds special interest in contemporary music and improvisation, also in unusual instrumental combinations and cooperations with other arts (e.g. painting, literature, sculpture), fosters international collaborations with other musicians, composers, and artists in general.
“For me, the sound of the recorder reflects very much breath, wind, neature, storm, water, ocean, mountains - strong and untamed aspects of (human) nature.”
Sylvia will perform a solo set, and then will be joined by Abram Hindle for some spontaneous collaboration.
ABRAM HINDLE
Local tech wizard Abram Hindle will bring his uniqe brand of interactive electronics to the Point of Departure stage, providing live audio and video in a laptop/recorder duet with Sylvia Hinz.
Hindle is a pillar in Edmonton’s experimental music community. He has performed extensively with BEAMS, Ramshackle Day Parade, and has toured to noise festivals around North America. In 2015 he co-created Connectivity, an interactive, 9 hour performance of experimental sound featured at Edmonton’s first Nuit Blanche festival.
ROSS NICOLL & FRIENDS
Ross Nicoll is going places. This young piano player has quickly proven himself to have some of the most dexterous fingers in the city, as well as being able to adapt to a wide variety of musical styles and situations. He plays with an ever growning number of bands and artists, including N3K, Didgin' for Rainbows, and Mitchmatic.
For this show, Ross will be putting together a posse of talented musicians to play a set of improvised free jazz.
Thursday, March 16th, 2016
Ortona Room @ Ortona Armoury
102 St NW, Edmonton, AB
Doors: 8:30, Music: 9:00
$10
***Please note: Due to a scheduling error, this edition of Point of Departure WILL NOT be held in the FAVA exhibition room. Instead, it will take place in the Ortona Room, on the main floor of the Armoury.
The didgeridoo is a wind instrument composed of a single large tube often used as drone instrument for backing up the mids and lows of an ensemble. A didgeridoo is played by buzzing the lips and blowing air into the didgeridoo. To play a didgeridoo continously one can employ circular breathing but the volume of air required poses a real challenge to novice players. In this paper we replace the expense of circular breathing and lip buzzing with electronic excitation, thus creating an electro-acoustic didgeridoo or electronic didgeridoo. Thus we describe the didgeridoo excitation signal, how to replicate it, and the hardware necessary to make an electro-acoustic didgeridoo driven by speakers and controllable from a computer. To properly drive the didgeridoo we rely upon 4th-order ported bandpass speaker boxes to help guide our excitation signals into an attached acoustic didgeridoo. The results somewhat replicate human didgeridoo playing, enabling a new kind of mid to low electro-acoustic accompaniment without the need for circular breathing.
Drone Day Edmonton 2017, hosted by Parker Theissen at the Ortona Armoury in Edmonton, AB, Canada on May 27, 2017.
Sweaty Palms and RDP present:
DRONE DAY EDMONTON 2017
4pm-6pm
LOCATION CHANGE
Unfrotunately Impark stopped responding to us so we are forced to move the location, the event will be held at the historical Ortona Armory 9722-102st
Come listen to the sounds of drone! In a very cool 102 year old building!
CELEBRATE DRONE!
Hear the best of Edmonton’s Drone Artists Improv Jam
Performers include:
Raylene Campbell
Mel Macdonald
Devon Beggs
Myles Bartel
Jared Epp
Jenna-Katheryn Heinemann
Jenna Turner
Matthew Belton
Jacqueline Ohm
Sean MacIntosh
Parker Thiessen
Abram Hindle
Brendan Anderson
and more!
Kid friendly! Bring your own snacks and beverages!
Inceptional Collaboration presented by Brooke Erin - Visual Artist, Wayne DeFehr - Sessional Instructor in English and Film Studies, and Theodore Brockman - Computing Science Student at U of A, Abram Hindle - Associate Professor of Computing Science. An example of a “Deep Belief” system, where a computer processes data from human movement, in their case that of a painter, and then creates soundscapes based on that movement.
Ben Gorodetsky introduces us and is probably more entertaining than we are :(
Edmonton is welcoming a Noisefest on August 26th, 2017. This show is to help celebrate and raise funds for travelling artists for that event. The June 8th show will feature:
skruntskrunt: This project needs no introduction. If you’ve had the pleaseure of seeing his computer genius noise skills then you know what kind of crazy sounds Abram can produce from his programming madness.
https://www.youtube.com/user/abramh666
Acid Attack: From Red Deer this duo always manages to create something different and given the chance their range of sounds could last for a hour show easily.
https://youtu.be/Yfuwe3s74_M?t=1h28s
Self Abuse: The insane HNW project by Orrin Evans. This just maybe the only act like this in town!
Entry is 10 bones ($10) and tunes start around 8pm.
https://archive.org/details/20170629BEAMSATTHEWORKS
The Boreal Electroacoustic Music Society (BEAMS) teams up with The Works Art & Design Festival to present eight acts who take on the event’s theme of dialogue, resulting in unique ways of expressing the idea of communicating in unusual genres. To wit:
Jessie Beier & Catlin W. Kuzyk
How does common sense work in a conflicting world?
Johnny Bordeaux
What happens when two Theremins talk to each other?
Damno Te & Skrunt Skrunt
Does noise have a language all its own?
Shae Guerin
Is four-stringing interactive?
Jared Epp
What strange sounds surface from an urban environment?
Gene Kosowan
Can pulsars talk?
S.C. Land
Is there art in social media?
Paul Morris
Does party talk have texture?
This 90-minute all-ages event is free to the general public.
https://archive.org/details/20170629BEAMSATTHEWORKS
The Boreal Electroacoustic Music Society (BEAMS) teams up with The Works Art & Design Festival to present eight acts who take on the event’s theme of dialogue, resulting in unique ways of expressing the idea of communicating in unusual genres. To wit:
Jessie Beier & Catlin W. Kuzyk
How does common sense work in a conflicting world?
Johnny Bordeaux
What happens when two Theremins talk to each other?
Damno Te & Skrunt Skrunt
Does noise have a language all its own?
Shae Guerin
Is four-stringing interactive?
Jared Epp
What strange sounds surface from an urban environment?
Gene Kosowan
Can pulsars talk?
S.C. Land
Is there art in social media?
Paul Morris
Does party talk have texture?
This 90-minute all-ages event is free to the general public.
Edmonton is welcoming a Noisefest on August 26th, 2017. This show is to help celebrate and raise funds for travelling artists for that event. The June 8th show will feature:
skruntskrunt: This project needs no introduction. If you’ve had the pleaseure of seeing his computer genius noise skills then you know what kind of crazy sounds Abram can produce from his programming madness.
https://www.youtube.com/user/abramh666
Acid Attack: From Red Deer this duo always manages to create something different and given the chance their range of sounds could last for a hour show easily.
https://youtu.be/Yfuwe3s74_M?t=1h28s
Self Abuse: The insane HNW project by Orrin Evans. This just maybe the only act like this in town!
Entry is 10 bones ($10) and tunes start around 8pm.
Drone Day Edmonton 2017, hosted by Parker Theissen at the Ortona Armoury in Edmonton, AB, Canada on May 27, 2017.
Sweaty Palms and RDP present:
DRONE DAY EDMONTON 2017
4pm-6pm
LOCATION CHANGE
Unfrotunately Impark stopped responding to us so we are forced to move the location, the event will be held at the historical Ortona Armory 9722-102st
Come listen to the sounds of drone! In a very cool 102 year old building!
CELEBRATE DRONE!
Hear the best of Edmonton’s Drone Artists Improv Jam
Performers include:
Raylene Campbell
Mel Macdonald
Devon Beggs
Myles Bartel
Jared Epp
Jenna-Katheryn Heinemann
Jenna Turner
Matthew Belton
Jacqueline Ohm
Sean MacIntosh
Parker Thiessen
Abram Hindle
Brendan Anderson
and more!
Kid friendly! Bring your own snacks and beverages!
The didgeridoo is a wind instrument composed of a single large tube often used as drone instrument for backing up the mids and lows of an ensemble. A didgeridoo is played by buzzing the lips and blowing air into the didgeridoo. To play a didgeridoo continously one can employ circular breathing but the volume of air required poses a real challenge to novice players. In this paper we replace the expense of circular breathing and lip buzzing with electronic excitation, thus creating an electro-acoustic didgeridoo or electronic didgeridoo. Thus we describe the didgeridoo excitation signal, how to replicate it, and the hardware necessary to make an electro-acoustic didgeridoo driven by speakers and controllable from a computer. To properly drive the didgeridoo we rely upon 4th-order ported bandpass speaker boxes to help guide our excitation signals into an attached acoustic didgeridoo. The results somewhat replicate human didgeridoo playing, enabling a new kind of mid to low electro-acoustic accompaniment without the need for circular breathing.
